Hit up SellingTheFaith.com.
There’s really nothing there, yet.
Yet.
I have to say: I love AOL Explorer.
I installed the new version of AOL Instant Messenger for XP, and it came riding along with this tabbed web browser called AOL Explorer.
And I can’t get enough of it.
I didn’t even bother installing Firefox or anything.
I feel gay.
I’ve been hung up on certain things for a few months, and finally, all at once, I’m not hung up on any of them anymore.
I think working on The Last Regret has put things into perspective for me, in a way. The central theme of the movie is, I suppose, we don’t always have time to put off saying how we really feel, or doing what we want to do. That’s the motivation for me, anyway.
Being hung up on the past is a sure fire way to not move forward with anything. You just keep looking back, over-analyzing, trying to figure out what went wrong, or how you can get it back. Were you happier then? Are you just looking at it through rose colored glass? What really will make you happy? These are all cliched issues that everybody has to deal with constantly. Instead of regretting past mistakes, or spending your time analyzing the past and trying to make it right, I think it’s best to just learn from it and move on.
It’s funny to me that for ages and ages, we as a society have dealt with these issues, expounded on them at great length, created many thousands of creative works devoted to the emotions associated with them, and each generation, each member of each generation, has to go through all of them individually and experience them all first hand to truly understand them. Experience really is crucial in these situations. It’s the only way you can mature.
Sheltering people from the consequences of their actions is the worst thing you can do, if you want the person to understand and learn from their mistakes or just from their actions. It’s something that many people strive to do for themselves. They create very complex mental barriers designed to isolate themselves from the results of actions they take. They can usually shrug things off and ignore the problems they create for themselves or others, and explain it away casually. In my experience, though, it’s detrimental to not fully understand the situations you create and the emotions you stir up in yourself through those situations.
I’m not a psychologist by any right, and this is all coming straight from me. I think writing this out is a way for me to sort out how I feel about a topic, and come to terms with my own feelings on it. Either way, I’m merely saying what I think. If it contradicts something I’ve said in the past, well, maybe I’ve changed my mind. Good thing I’m not a politician.
Har har, bartenders are the dumb.
Tips for serving alcohol:
Tips for consuming alcohol:
Stop blaming the size and shape of the glass for your inability to stop drinking.
This article made me chuckle, for a few reasons. When it got to the part about experienced bartenders not being immune, I lost it. I really, really don’t want to sound degrading or condescending right now, but how much experience does it take to realize that those glasses play little optical tricks on you? I noticed it as soon as I looked at one. Are we entirely sure that the bartenders just don’t care either way?
On that note, as far as pouring shots is concerned, why do you need any experience? I can see mixing a drink requiring a little knowledge (or a little booklet of instructions,) but pouring shots? Come on! I pour shots all the time, and it’s not exactly a science. Tip bottle until liquid comes out. Aim for the glass.
Maybe I’m just biased against bartenders.
I put together a rough edit of the film tonight based off of what we have already shot (which is most of the movie; only two scenes are missing.)
It makes me smile. And smile big.
I love this movie.
That’s all I can ask for. Anything else is icing on the cake.
A clever typo led me to waste my time making this.

Oh man.

A second draft of the poster, courtesy of our poster guru Keenan.

Adorable!
Day six was not the final day.
The schedule called for quite a few scenes to be shot today, most noticably the infamous “Scene 5″, which takes up nearly 50% of the script (and a great majority of all of the dialogue,) and Scene 6, which includes the rest of the dialogue.
It just didn’t happen.
We were out until very, very late last night shooting. I personally got about three hours of sleep after putting together the shooting schedule for the 21st and doing some other work that I had to take care of. The schedule called for the sets to be put together and made ready to shoot between 3pm and 6pm, with cameras rolling at 7:00pm.
At 2pm, I still couldn’t reach our production assistant.
Finally, after an arduous few hours of wondering what might have happened, I got the call. Family emergency — her grandfather is in the hospital. All of us on the production wish her and her family the best as they go through this tough time.
It was shortly afterwards that I realized I had still not heard from Michelle.
I put the sets together myself (with help from Lalo, of course) and shot the two scenes I had scheduled to do without either Lalo or Michelle — just a few inserts that we needed.
The call came in shortly after — Michelle has no ride to the set. We have to go pick her up.
After a few minutes of being on set it became generally known that Michelle wasn’t feeling well. Unfortunately, she was getting sick. She felt like crap, and her head just wasn’t together. After some rehearsals, it was apparant that we weren’t going to be able to shoot any dialogue.
We took care of all of the other scenes that didn’t involve dialogue, leaving just the ominous Scenes 5A through 5F and Scenes 6A and 6B. Of the ones we did shoot, they all came out very well, as all of our shots have up to this point. We just couldn’t get 5 and 6 in the can.
We’re going to schedule those scenes for a few days after Christmas, when everybody is settling back in. Hopefully, we’ll be able to get them knocked out before the new year.
Continuity is a constant battle.

And, of course, the money shot.
